About The Song
“Stayin’ Alive” is the Bee Gees’ most recognizable song, and arguably one of the most well-known dance tracks ever created.
The song was the first track off the hugely successful soundtrack to “Saturday Night Fever” and as used in the film provides the backdrop for one of the defining cinematic moments of the 1970s. It enjoyed 4 weeks at the top of the billboard charts and is widely credited for firmly cementing disco as mainstream phenomenon and the Bee Gees themselves as 1970s dance music icons.
And weirdly enough, that almost didn’t happen — “Stayin’ Alive” wasn’t originally written to be a dance club tune. The song’s complicated history is explained in HBO’s new documentary “How Can You Mend a Broken Heart,” a biography of the legendary pop group.
“Very few people realize it’s to do with anything but dance, but the lyrics don’t talk about dance at all,” Robin Gibb said in archival footage included in the documentary (Gibb died in 2012). “The lyrics very obviously state the scenario of survival.”
Released in 1977, just over a year after serial killer David “Son of Sam” Berkowitz terrorized New York during the summer of 1976 with eight unprovoked slayings across the city, the song was produced during the time, aptly described by Irish writer Dermot McEvoy, when “New York’s grime was golden” and the lyrics reflect the uncertain state of things in America’s biggest city.
In fact, the Bee Gees wrote the song as an homage to New York’s gritty streets during that era, as to their influences from Black culture and R&B, as noted by the lyrical references to the plights of minority New Yorkers sprinkled in between the catchy chorus.
“‘Stayin’ Alive’ was the influence New York gave to us, and the energy level at that point in the late 70s was really survival,” Barry Gibb said. “When you listen to the drum track on ‘Stayin’ Alive” by itself, it’s really this super rugged, tough thing,” producer Mark Ronson said during the documentary. “It’s not pretty or pop like you remember.”
The track’s famous drum loop came after the band’s drummer Dennis Bryon took a break to visit his sick mother, and two engineers working with the Bee Gees replicated a drum track by splicing bars from the band’s prior hit, “Night Fever,” into a half-inch four-track loop. After the drum loop came the iconic bass intro, followed by the guitar part and, of course, the Gibbs’ signature vocals.
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Lyric
Well, you can tell by the way I use my walkI’m a woman’s man, no time to talk Music loud and women warm, I’ve been kicked around Since I was born And now it’s alright, it’s okay And you may look the other way We can try to understand The New York Times’ effect on manWhether you’re a brother or whether you’re a motherYou’re stayin’ alive, stayin’ alive Feel the city breakin’ and everybody shakin’ And we’re stayin’ alive, stayin’ alive Ah, ha, ha, ha, stayin’ alive, stayin’ alive Ah, ha, ha, ha, stayin’ alive Oh, when you walkWell now, I get low and I get highAnd if I can’t get either, I really try Got the wings of Heaven on my shoes I’m a dancin’ man and I just can’t lose You know it’s alright, it’s okay I’ll live to see another day We can try to understand The New York Times’ effect on manWhether you’re a brother or whether you’re a motherYou’re stayin’ alive, stayin’ alive Feel the city breakin’ and everybody shakin’ And we’re stayin’ alive, stayin’ alive Ah, ha, ha, ha, stayin’ alive, stayin’ alive (oh) Ah, ha, ha, ha, stayin’ alive (oh)Life goin’ nowhere, somebody help meSomebody help me, yeah Life goin’ nowhere, somebody help me, yeah I’m stayin’ aliveWell, you can tell by the way I use my walkI’m a woman’s man, no time to talk Music loud and women warm I’ve been kicked around since I was born And now it’s all right, it’s okay And you may look the other way We can try to understand The New York Times’ effect on manWhether you’re a brother or whether you’re a motherYou’re stayin’ alive, stayin’ alive Feel the city breakin’ and everybody shakin’ And we’re stayin’ alive, stayin’ alive Ah, ha, ha, ha, stayin’ alive, stayin’ alive Ah, ha, ha, ha, stayin’ alive (hey)Life goin’ nowhere, somebody help meSomebody help me, yeah Life goin’ nowhere, somebody help me, yeah I’m stayin’ aliveLife goin’ nowhere, somebody help meSomebody help me, yeah (ah, ah, ah) Life goin’ nowhere, somebody help me, yeah I’m stayin’ aliveLife goin’ nowhere, somebody help meSomebody help me, yeah (ah, ah, ah, ay) Life goin’ nowhere, somebody help me, yeah I’m stayin’ aliveLife goin’ nowhere, somebody help meSomebody help me, yeah (oh) Life goin’ nowhere, somebody help me, yeah I’m stayin’ alive
The signature song used in First aid life saving measures for CPR and Breath pulsations while giving aid prior to EMS arrival. It can give the EMS people some time for a complete rescue.